The project respects to the maximum the existing (1544) and tries to make a recovery of the space and adaptation to low cost exhibition hall.
All this is an exercise of architecture where the respect to the existing ones is conjugated, the coherence of the traditional constructive systems and the fidelity to the own time, understanding that only from the contemporaneity one can act of authentic form. Four works that serve the conditions of sustainability and creativity that this century demands to coexist with what is inherited, whether or not its heritage value is recognized. To recycle architecture is much more than to restore or rehabilitate, it is to accept what is received and transform it without renouncing the essential values of architecture, without renouncing light and shade, without renouncing silence, without giving up pursuing the difficult invisibility of precision.
